{"id":1457,"date":"2026-01-27T19:18:48","date_gmt":"2026-01-27T19:18:48","guid":{"rendered":"https:\/\/nicgyalson.com\/?page_id=1457"},"modified":"2026-03-04T16:29:20","modified_gmt":"2026-03-04T15:29:20","slug":"home","status":"publish","type":"page","link":"https:\/\/nicgyalson.com\/en\/","title":{"rendered":"Home"},"content":{"rendered":"\t\t
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Singer-Songwriter \u00b7 Film Score Composer \u00b7 Music Producer<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Music for stories that matter.
Between sound, image and human presence.<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Nic Gyalson<\/strong>\u00a0is a Swiss composer, producer and musician working at the intersection of music and filmmaking.<\/p>

Raised inside the world of documentary cinema, he began working in the film industry at the age of 13, developing a deep understanding of storytelling, narrative structure and visual language.<\/p>

His work explores sound as a narrative force \u2014 not as an accessory, but as an active presence within stories.<\/p>

Moving between songwriting and soundscapes, psychedelic melodies and immersive sonic worlds, Nic\u2019s music is guided by emotional truth and human interaction.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Selected works<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Personal & Curated<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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The Submerged Lightness<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Soundtrack (2025)<\/p>

Composer\/Producer<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Yellow House<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Album (2023)<\/p>

Artist<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Patagonia Spider<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Soundtrack (2023)<\/p>

Composer\/Producer<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Alluvision<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Album (2016)<\/p>

Artist\/Producer<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tView All Works<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t
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Beyond the personal project<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Nic<\/figure><\/div>
\"Nic<\/figure><\/div>
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\"Nic<\/figure><\/div>
\"Nic<\/figure><\/div>
\"Nic<\/figure><\/div>
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Alongside his personal artistic practice, Nic Gyalson curates, produces and accompanies the work of other artists and composers.<\/p>

This expanded activity takes place within TouchTime Records \u2014 an independent cultural ecosystem dedicated to handcrafted, human-centred music production.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Read more <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/i><\/span>\n\t\t\t<\/i><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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TouchTime is not a traditional record label.
It is a space where music is followed closely, where projects are given time, context and care, and where artists are supported through long-term relationships rather than isolated releases.<\/p>

Many of the works connected to this page \u2014 albums, live sessions and film soundtracks \u2014 are created, produced and shared within this environment.<\/p>

TouchTime is the place where individual voices meet structure,
where personal languages are protected and allowed to grow,
and where music is treated as culture, not content.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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One language. Multiple forms.<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A career built across disciplines, where film language informs composition and musical thinking shapes visual storytelling.<\/p>\n

This crossover defines both Nic\u2019s film scores and his personal music projects, forming a unified artistic identity rather than separate roles.<\/p>\n

Whether you are here to listen, explore, collaborate or create, this space is a point of contact between sound, image and human presence.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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NIC GYALSON’S MUSIC
<\/b>via TouchTime Records<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t\n\t\t\t\t

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MUSIC FOR YOUR FILMS
<\/b>enquiries for filmmakers<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t\t\t

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Life creates stories.
Stories become sounds.
Some sounds create places.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Singer-Songwriter \u00b7 Film Score Composer \u00b7 Music Producer Music for stories that matter.Between sound, image and human presence. Nic Gyalson\u00a0is a Swiss composer, producer and musician working at the intersection of music and filmmaking. Raised inside the world of documentary cinema, he began working in the film industry at the age of 13, developing a […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1457","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/nicgyalson.com\/en\/wp-json\/wp\/v2\/pages\/1457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nicgyalson.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nicgyalson.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nicgyalson.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nicgyalson.com\/en\/wp-json\/wp\/v2\/comments?post=1457"}],"version-history":[{"count":139,"href":"https:\/\/nicgyalson.com\/en\/wp-json\/wp\/v2\/pages\/1457\/revisions"}],"predecessor-version":[{"id":2021,"href":"https:\/\/nicgyalson.com\/en\/wp-json\/wp\/v2\/pages\/1457\/revisions\/2021"}],"wp:attachment":[{"href":"https:\/\/nicgyalson.com\/en\/wp-json\/wp\/v2\/media?parent=1457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}